Directors Statement

Nominee 2017

Switzerland, France 2016

66 min.

"Zucchini" is an intriguing nickname for a 9-year-old boy – although his unique story is surprisingly universal: After his mother’s sudden death, Zucchini is befriended by a kind police officer, Raymond, who accompanies him to his new foster home, filled with other orphans his age. Zucchini struggles at first to find his place in this strange, at times hostile, environment. Yet with Raymond’s help and his newfound friends, Zucchini eventually learns to trust, find true love and, at last, a new family of his own.

I wanted to adapt Gilles Paris’ book because I wanted to make a film about children that addresses ill-treatment of children and remedies for abuse in today’s world; an entertaining film that makes you laugh and cry, but especially a firmly committed film that happens in the here and now and tells you about the strength of resilience amongst a group of friends, advocating empathy, comradery, sharing and tolerance.
In contemporary cinema, orphanages are classically depicted as places of abuse, and the outside world as that of freedom (THE 400 BLOWS, THE CHORUS). In MY LIFE AS A ZUCCHINI, the pattern has been reversed: abuse is suffered in the outside world and the orphanage is a place fostering appeasement and reconstruction. This is what makes this narrative at once classic and modern.
After some time immersed in a foster care centre, I realised the importance of treating the theme of adoption with great care, because it is at the heart of the relationship that these children, lacking in affection, maintain with the adult world. I presented adoption in two of its modern manifestations: the foster family and custody by a family member. Depending upon the child’s age and the motivation of the adults, adoption in this instance represents either the risk of returning to the destructive cycle of abuse or as the possibility of reconciling themselves with the world. It also seemed particularly important to enhance the image of the blended family in our society, where today the basic structure of the family is present in multiple forms.


Before directing his first feature film, MY LIFE AS A ZUCCHINI, Claude Barras directed several short films including THE GENIE IN A RAVIOLI CAN, which received numerous awards in film festivals around the world.
Claude Barras’ unique connection with childhood transcends time and age differences; he has the rare gift of being able to make you laugh and cry at the same time. His stories are filled with realism and fantasy, humour and poetry. He was the impetus for adapting Gilles Paris’ “Autobiography of a Courgette” into a stop-motion animation film.

2012 CHAMBRE 69, short
2010 COURGETTE, short
2008 AU PAYS DES TETES, short (co-directed with Cédric Louis)
2007 SAINTE BARBE, short (co-directed with Cédric Louis)
2005 ICE FLOE, short (co-directed with Cédric Louis)
2002 STIGMATES, short
1999 CASTING QUEEN, short
1998 MÉLANIE, short

  • Director: Claude Barras
  • Producer: Max Karli
  • Screenwriter: Céline Sciamma
  • Director of photography: David Toutevoix
  • Main Cast: Gaspard Schlatter (Courgette), Sixtine Murat (Camille), Paulin Jaccoud (Simon), Michel Vuillermoz (Raymond)
  • Editor (Cut): Valentin Rotelli
  • Sound Design: Denis Séchaud
  • Original Score: Sophie Hunger
  • Production Design: Ludovic Chemarin
  • Costume Design: Christel Grandchamp